The Northman

 

The Northman got a lot of attention when it was released, mostly because the usual suspects were scandalized by the lack of diversity. There are no black people in the film and the protagonist is a man. Worse yet, the female characters are feminine and the male characters are masculine. There are no homosexuals, transgenders or people speaking truth to power. In other words, a crime against the faith.

Of course, this became the story rather than the fact it is one of the best made moves in the last ten years. It is a film made by adults for adults, which has become such a rarity that reviewers struggled to describe it. Compounding it, the film requires some cultural literacy, which is rare among the movie reviewing community. Most of the reviewers think comic books are adult literature.

The Northman is a classic tale. A wronged man commits his life to getting revenge on those who wronged him. He sets out on a journey to exact his revenge, but the journey turns into something else. The black and white world of his imagination gives way to the moral ambiguity in which all of us exist. The story of revenge becomes an exploration of the deeper themes that define the human condition.

In this film, the story is based on the legend of Amleth, which comes from Scandinavian sources that have been lost. What we have comes from the Saxo Grammaticus, a 13th century Danish theologian. Amleth is the young son of a king. He sees his father killed by his jealous uncle, who takes both the crown and his brother’s wife. The son escapes only to return as a man who then gets his revenge on his uncle.

That is pretty much it for the plot of The Northman, but that short trip is one fantastic ride that reminds you that movies do not have to be lectures. They can be incredibly well done stories that leave the viewer thinking about the larger issues raised in the movie, but never explicitly mentioned. That is art. It holds a mirror up to you and your world so you can see things from a different perspective.

It is fair to say The Northman is art. We see Amleth as a young boy, full of curiosity and wonder until he witnesses the murder of his father. Next, we see him as a fully grown man, but more beast than man as his rage makes him a killing machine. We are left to guess what happened to make him into a berserker, but in a few minutes, we have two important plot points of his character arc.

Amleth takes part in a raid in the Kievan Rus and after the fight, he meets a Seeress who tells him that he will take his revenge on his uncle and that his path is intertwined with a Maiden-King. Now we have an important element. Amleth is not just a man on a revenge quest, but a man following his destiny. He no longer has a choice and must wrestle with this as he sets off on his journey.

This is not something you expect to see in a modern movie. Instead, it would have been filled with emotive exposition. Half the film would have been taken up explaining the back story and his emotional state. This film assumes you are mature enough to fill in the blanks and understand the bigger meaning of the story. This is not just a story about a man, but a story about man and his relationship to the world.

One of the clever things about the film is that it blends the dreams and visions with the live action in such a way that you are not always sure if what you are seeing is real or the imaginings of the hero. Toward the end, Amleth faces his mother and comes to realize her role in his father’s death. The way it is shot suggests it could be all happening in his head rather than in the real world. You cannot be entirely sure.

What really makes this movie stand out is the bigger themes. Amleth starts as a man with a lust for revenge. Then he learns that he will get his revenge, but that it is part of a bigger story of which he is only one part. His struggle is in accepting his fate and fulfilling his destiny, even when he seems to have other options and it comes at some cost to those he loves.

This is a theme that comes up often in our literature. If man can have a destiny, does he have free will? If you cannot escape your destiny, then why think at all about the choices that are presented to you? On the other hand, if your revealed destiny is one of many possibilities, are you obligated to fulfill it? Is the revelation part of the calculus or is it a challenge?

This gets to the biggest question of all. What is the point of life? Is it better to live a long and unimportant life or live a short and consequential life? Would you rather die a broken down old or die a young hero? Our nature is to live, but to live for what? This is the choice presented to Amleth. He could have remained a berserker. He could have abandoned his quest for revenge for a simple life. He could accept his destiny.

The Northman is about the oldest questions of human existence. What is the point of our lives and how should we use the time we have? For men, the choice is always between the long quiet life and the short exciting one. If it were only up to men, the latter would be the easy choice, but men cannot be men, or even exist, without women and women naturally want a man to choose the former.

That is what makes The Northman a great film. It presents a classic tale in a way that allows the intended audience to think about the big questions. It is not a lecture or an escape from reality, but a well told story. It is up to the adults in the audience to make of it what they will. That is probably what upset the critics. They no longer have the adult capacity to appreciate this film, so they flung their poo at it.


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Time To Move On

Anyone who has been through a breakup, like a divorce or the dissolution of a business partnership, knows they take on a life of their own. There is rarely one thing that sets the relationship off on the path to destruction. It is the accumulation of small things that build to an undefinable point where the relationship shifts from natural cooperation to natural opposition. Actions that used to build cooperation suddenly become points of contention until the two sides realize the relationship must end.

This is the dynamic in which most civic nationalist now find themselves with their old partner the “founding documents.” For longer than the memory of man runneth not to the contrary, the civic nationalist has looked at his citizenship as defined by the partnership with the founding of America. The Declaration and to a lesser extent the Constitution have been his life partner. These documents and the mythology that has been created around them are what make him whole.

These documents, along with the founding itself, exist within the larger definition of America that the civic nationalist will defend with his life. There is some variation in that some of them still promote the melting pot idea while others are in the creedal camp, but all of them are married to the general concept of America. They will defend America from critics on all sides, mostly from the Right, of course, but they will even make some noises about defending their love from the Left as well.

The problem is America does not love them anymore. Those founding documents, the marriage certificate of the relationship, no longer matter to America. The reason America keeps them locked away and rarely mentions them is they are just not that important because the relationship is not that important. America is ready to move onto to the new vibrant stage of its life. That means leaving behind the old phase, the marriage to the civic nationalists.

Like a jilted lover, the civic nationalists cannot accept it. Here is an example in a legacy publication defending the Declaration. The elevation of the Declaration over the actual founding documents of the country was the result of a prior rough patch in the relationship during the last century. The Caesarism of Roosevelt needed to be addressed, like an infidelity in a relationship. The solution was provided by Harry Jaffe, a second rate scholar who peddled bromides to third rate thinkers.

There was no way to square what the progressives had done in the first half of the twentieth century with the text and spirit of the Constitution. There was no way to challenge them as they controlled the important bits of society. The solution was to embrace a form of Jacobinism. America was now defined, so the theory goes, by the egalitarian spirit of the Declaration. This also allowed them to embrace the tyrant Lincoln as their new Moses.

The new vision of America the civic nationalist created in response to the authoritarianism of the new regime was made to look like tradition by rewriting the founding history. The real founding document was the Declaration. The Constitution was an imperfect compromise to get started. The Civil War was an effort to address the big flaws to bring the document in line with the Declaration. The Gettysburg Address was a restatement of the genuine founding ideal.

This is utter nonsense, but it kept the relationship going. Like the cuckold who convinces himself the wife is taking night classes at the university so she can get a better job once the kids are in school, the civic nationalists occupied themselves with the Lincoln fantasy. Meanwhile, the America they loved was getting busy with every left-wing fad that came out of the academy. She was no longer even trying to pretend that she cared about the relationship with the civic nationalists.

There are some civic nationalists who see the problem. They hope to refashion the relationship around something they call common good conservatism, which creates an open marriage between themselves and the Constitution. America can still carry on with the latest thing, as long as it does not threaten the marriage. The common good civic nationalists will step in to enforce discipline when needed. They imagine the cuckold finally gaining the courage to call his wife home.

In fairness, there are some within the civic nationalist space who sense that the relationship is over and it is time to move on. They mostly focus on the old originalism idea embraced by the legal wing of civic nationalism. Originalism seeks to elevate the text of the Constitution over legal aspirations to the contrary. The problem is they are left to defend a document that was flawed from the start and has been butchered by previous efforts to minimize it.

The hard cold truth is that the America the civic nationalists claim to love is not around anymore and she is never coming back. In fact, she never really existed. It was a creation of the last century. The America of the founding died at Gettysburg and was buried in Reconstruction. It took two wars in the 20th century to create a replacement, which maintained the trappings of the original, but was fundamentally different from the republic fashioned by the Founders.

The crisis of the present is not over the strains in the old relationship with the America imagined by the civic nationalists. It is the result of the America formed in the 20th century having no rationale in the 21st century. The America of the civic nationalist is dust in a grave, left untended in the 19th century. Not only is she never coming back, but she also cannot be replaced with anything similar. Like the cuckold whose wife has left for good, the civic nationalists need to move on with their lives.

Whatever comes next is going to be fashioned by those who close the door on the past and accept the present, along with what future can be made of it. There are lessons to be gleaned from America’s past. There are lessons to be gleaned from the Franco-Prussian War and Revolutions of 1848. Those lessons only matter if they are put to use understanding the present in order to create a future. That future is not going to include the founding documents moldering away in a museum.


If you like my work and wish to kick in a few bucks, you can buy me a beer. You can sign up for a SubscribeStar subscription and get some extra content. You can donate via PayPal. My crypto addresses are here for those who prefer that option. You can send gold bars to: Z Media LLC P.O. Box 432 Cockeysville, MD 21030-0432. Thank you for your support!


Promotions: We have a new addition to the list. Havamal Soap Works is the maker of natural, handmade soap and bath products. If you are looking to reduce the volume of man-made chemicals in your life, all-natural personal products are a good start. If you use this link you get 15% off of your purchase.

The good folks at Alaska Chaga are offering a ten percent discount to readers of this site. You just click on the this link and they take care of the rest. About a year ago they sent me some of their stuff. Up until that point, I had never heard of chaga, but I gave a try and it is very good. It is a tea, but it has a mild flavor. It’s autumn here in Lagos, so it is my daily beverage now.

Minter & Richter Designs makes high-quality, hand-made by one guy in Boston, titanium wedding rings for men and women and they are now offering readers a fifteen percent discount on purchases if you use this link. If you are headed to Boston, they are also offering my readers 20% off their 5-star rated Airbnb.  Just email them directly to book at

sa***@mi*********************.com











.