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I recorded the show on Wednesday evening, so I could not comment on the Kanye West appearance on the Alex Jones show. Editing the show last night, after having watched a bit of the circus and the aftermath, it occurred to me that what we are seeing is the imagination of Andrew Anglin come to life. West is a weird post-modern Pinocchio that exists to lampoon the pieties of the current age.

For those who did not see it, West was on the Alex Jones show with Nick Fuentes to make a big scene. West showed up dressed as a ghetto Spiderman. He was wearing what looked like a varsity jacket, if the varsity was gay prison gang, along with a black gimp mask that had no openings for his eyes or mouth. He also brought a tiny net that you would use to fetch fish from an aquarium.

In the course of the show, West tried to promote Hitler as a misunderstood character, wrongly slandered by the Jews. Alex Jones tried hard to keep the show on the topic of censorship, but West would have none of it. Laura Loomer was brought on to talk about herself and one of Sammy Davis Jr’s grandchildren spoke for some reason. Fuentes was a minor player in this theater of the absurd.

Since this started, I have struggled to make sense of it, as the whole thing is an eleven on my ridiculous meter. It is impossible to take seriously a man who thinks it is a good idea to do a TV interviewed dressed as ghetto Spiderman. Add in the fact that he is playing the Clayton Bigsby character from that old Dave Chappell sketch, but taking the role seriously, and we are in a strange place.

The question that matters here is who benefits from this? Freak shows always have a short life and in time this will be forgotten. On the other hand, those who lampoon current pieties with absurd exaggeration can stick around, but eventually their target gets tired of the jester and has him thrown off the tower. Andrew Anglin has been ignored into extinction by the people he used to mock.

On the other, other hand, this freak show is just the next step in the decline of our politics into the absurd. Is a black hip-hop Nazi any more ridiculous than a brain damaged hobo in the Senate? Maxine Waters is now a respected figure in Washington, so how absurd is it to imagine Kanye West as the new David Duke? This freak show is just the next logical step in the decline of politics.

That said, mockery and satire work as political weapons when there is a serious message baked into the mockery and satire. It is hard to find the serious message in any of this, other than maybe it was a bad idea to elevate hip-hop culture, but that was obvious since the Sugar Hill Gang came on the scene. Otherwise, this stuff just looks like weird for the sake of being weird.


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Moral Distance

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For close to half a century, Western elites have been trying to reverse many aspects of the industrial revolution that made the West possible. It started in the United States with the off-shoring of whole industries to the third world. Around the same time, the environmental movement shifted from conservation to proselytizing against the things that modern people take for granted. The fictional concept of climate change was invented as an authority to justify the great deindustrialization.

At the heart of it all is energy. You cannot watch a television program or view a YouTube clip without being hit on the head about good energy. They have lots of ways of saying good energy, like renewable energy, clean energy and green energy, but all of these slogans are just ways of saying good energy. Of course, that means there is bad energy and that is always the cheap energy. Gasoline is bad. Coal is bad. They may be efficient and cheap, but they are bad, very bad.

The thing about good and bad, as moral concepts, is they are usually judged by the distance from the person passing judgment. We are tuned to oppose immoral acts, so if we see one up close and personal, our response is stronger than if we hear about the same act third hand at a dinner party. The guy we do not know very well who is caught cheating on his wife effects us far less than seeing the neighbor having men over while her husband is away at work.

Moral distance is at the heart of the long running scheme by Western elites to remove from their sight the things they find immoral. They inherited from Marxism the notion that industrial work in dehumanizing. They do not want to see big dirty factories full of working class men sweating away to make their stuff. They do not want to give up the stuff, so the solution was to move the plant to Mexico or China. Replace the plant with a dog park and voila! The world is a better place.

The same mindset is at work with so-called green energy. The truth of the matter is all of the green energy schemes range from stupid to the impractical. The appeal is not economic or environmental. The appeal is aesthetic. The idea of windmills quietly generating electricity out there in the countryside where the beautiful people rarely visit makes for a pleasant image. The magical place that turns biomass into electricity sounds great as long as you do not live near it.

This is why nuclear remains on the bad list. If the image of the nuclear power plant was an underground facility, with a lovely little forest above it, the greens would love the idea of nuclear energy. Instead, the image of a nuke plant is the giant concrete cooling towers belching what the greens thing is bad stuff. It is just water vapor, but it looks bad so it must be bad. That windmill farm may be an abattoir for the eagle population but it looks nicer than the nuke plant.

This function follows form mentality of the bourgeois managerial class is at the heart of the current crisis in Europe. They hated the sight of their energy system, so they have been slowly shifting it out of sight. No one could see those giant gas pipelines or the massive holding facilities. Everyone could feel like heroes for closing the coal plants and refineries, while enjoying cheap energy. The ugliness of reality had been sent east to Russia, so it was out of sight and out of mind.

This arrangement worked great until Washington decided to pick a fight with Europe’s largest energy supplier. The entirety of the European economy has been based on cheap energy from the east, but now that is gone. Europe is now forced to buy expensive energy from other places. This is slowly cratering the economy of Europe, leading to a great deindustrialization of the continent. All of a sudden, those good aesthetics are coming with a very steep price.

The fact is, Europe can remain a modern society if it accepts the costs that come from being a modern society. Those costs are some sad women sobbing over the ugly cooling towers or the sight of men working in factories. Cheap food and warm homes come with smokestacks and refineries. When you pick up one end of that stick you must pick up the other end. Europe is plunging itself into darkness so the ruling class can continue to play make believe.

That is fundamentally the issue. The ruling classes of the West no longer have some external measure against which they can gauge their piety. Christianity has long ago been purged from the ruling elites. The old moral framework of liberalism was abandoned out of expedience. What has filled the void is a weird, sterile aesthetic that seeks to remove all traces of the human condition. The so-called green movement is central to this cult of reality avoidance.

Reality does not go away when you stop believing in it. This is what Europe is now facing with their energy crisis. Next up is a food crisis. This is against the backdrop of the demographic crisis, which is another aspect of the same disease. The unwillingness of elites to accept biological reality has the same roots as their unwillingness to accept the economic reality behind the modern age. We are ruled by people at war with humanity because they cannot face the human condition.


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